The Duck Stops Here

From my very first taste of confit de canard, I was hooked. Not deep in the heart of Southwest France, but next to the Smithfield meat market in London circa 1998. At Club Gascon, hearty takes a haute turn with signature regional dishes and ingredients from Gascony like cassoulet, garbure, foie gras, truffles and of course, duck confit, being transformed by chef-proprietor Pascal Aussignac into the most exquisite of small plates. I can vividly remember the yieldingly succulent flesh sheathed in an impossibly crisp skin - the hallmark of truly great confit - the flavour permeated with the gentle breath of delicate spicing, the tastiness of salt without the saltiness.

Confit, which means "preserved", is one of the great farmhouse traditions in the French Southwest, where preserving meat to last through the cold months was essential to survival. While virtually any meat can be confited (and in modern cookbook and menu speak, the term is loosely used to describe any meat, fowl, fish or vegetable that has been poached in fat till meltingly tender), duck and goose are likely the reason for confit's being - come the time to harvest foie gras, farmers would have had more meat on their hands than they could sell or consume. The prudent cook who wastes not, wants not - duck and geese produce prodigious quantities of fat, so the surplus meat is cured in salt to rid moisture, then cooked and put up in its own fat (the cooled solidified fat acting as an airtight seal) in earthernware crocks and left to ripen in cool cellars, thus providing the family with ready reserves of meat which could be dipped into throughout the year. Duck, thus preserved, undergoes a change in character. Like all the greatest charcuterie, the meat acquires a whole new taste and texture, becomes a paean to the joys of salt and animal fat. Despite the advent of refrigeration, this tradition, this frugality born of necessity, still thrives, for the simple reason that it tastes so enormously good.

The theme for the 23rd edition of Is My Blog Burning? is Vive la France Régionale avec un Verre du Vin!, "a regional French dish with a glass of wine", hosted by the wonderful Cucina Testa Rossa, the deadline for which I have completely missed. Nonetheless, this magical theme sparked off an irresistible urge to make confit, given added impetus by the recent local availability of duck legs imported from Southwest France.

I've tried many confit recipes over the years, in the hope of some day coming close to the taste of that unforgettable first encounter. These usually specify heating atop the stove over the tiniest flame possible or in the oven at a low temperature, and more unusually, in an electric slow-cooker with the setting on low and the lid askew (a brilliant method, by the way). I've come to the conclusion that all 3 routes work so long as you pay heed to a few fundamentals. Recipes which ignore or gloss over the fundamentals are at best infuriating, or more likely, doomed to failure. Avoidance of becoming a sitting duck, a victim of obfuscation, comes at the inedible price of having cooked your fair share of stringy ducks, which I most certainly have. The duds can be ducked by scrutinising a confit recipe for its likely potential. Basic considerations include the species of duck, cut of duck, type of cure, length of cure, type of fat, temperature at which the duck and fat are cooked, length of cooking, manner in which the duck is cooled, length of ripening time, and method of reheating/crisping.

While not food to rustle up in a hurry, the actual making of confit is not difficult; please don't let my verbose instructions (with attached explanations in tow) fool you into thinking otherwise. I've attempted to write the recipe with as much detail as matters, a think-aloud process that hopefully goes towards clarifying the fundamentals as I understand them currently. Apart from satisfying my pedantic streak (and a rather large one it is too), it's a distillation of lessons learnt thus far, paid for in dismal duck dinners flung down the chute. For a full treatment of the subject, I find Paula Wolfert's The Cooking of Southwest France indispensable. She gives instructions for all 3 heating methods mentioned above. The earlier edition goes into a little more minutia than the latest, but the instructions are by and large the same. (Speaking of which, for those of you who own one of these babies, the 2005 edition boasts a new fourth method that will be of interest - a "confit" en sous vide in which the duck legs are sealed in pouches using a vacuum packer then simmered very gently in a 180°F water bath for many hours.) The recipe below culls trucs gleaned from this gem of a book, and then some, primarily from Thomas Keller's Bouchon and Michael Ruhlman's Charcuterie.

CONFIT DE CANARD
Serves 4 as a main course

4 Moulard(see 1) duck legs(see 2), each piece weighing approximately 300 grams

Green Salt(see 3) :
4 Tbsp Maldon sea salt(see 4)
1 bay leaf, broken into pieces
1 Tbsp chopped thyme
2 Tbsp Italian parsley, packed
½ tsp black peppercorns

2 garlic cloves, peeled and finely chopped(see 5)

6 cups(see 6) rendered duck fat, or, a combination of rendered duck and pork fat(see 7)
2 heads of garlic
2 cloves, whole

Rinse the duck legs under cold running water and pat dry thoroughly with paper towels. Most recipes advise trimming the excess fat and skin; I don't because I like "re-forming" the legs into a plump compact shape with the overhang of skin. Do so if you wish, in which case weigh the legs after trimming and adjust the quantity of salt used in the green salt blend according to the formula in note 4.

For the green salt, place the salt in a coffee or spice mill or small food processor. Add the bay leaves, thyme, parsley, and peppercorns. If all the herbs do not fit, start grinding the mixture using only part of the parsley leaves, adding more as the leaves break down. Pulverise till finely ground and vividly green.

Massage the green salt over the legs, rubbing in a little extra on the thicker, fleshier parts and around the joints, and not missing the surfaces nestling underneath folds and flaps on the craggy flesh side. Strew the finely chopped garlic evenly over each leg. Place the legs flesh side up in a ceramic dish that will hold them comfortably in one layer, gently unfurling the exposed thigh flesh out flat so it cures evenly. Cover with plastic wrap and refrigerate. After 12 hours, turn the legs over so they sit skin side up, cover the dish, and refrigerate for another 12 hours. Do not exceed the total curing time of 24 hours or the confit will be overly salty.

Place an oven thermometer in the center of the oven and preheat the oven to 180°F (82°C). Throughout the cooking time, it is important to check the heat periodically to be certain that the oven is maintaining the correct temperature.

If your rendered duck fat and lard are solid, gently heat just enough to liquefy. Once it's liquid, let it cool down to room temperature before proceeding. Rinse the duck legs under cold running water to rid the salt and seasonings clinging to the surface, and dry thoroughly with paper towels, paying attention once again to the irregular flaps on the flesh side. Tuck the two floppy overhanging sides of the thigh underneath to form a neat, plump, leg-like shape. Place the duck legs in an enamelled cast iron cocotte of a size that fits them snugly in one layer. Pour in enough of the melted, cooled duck fat and lard to submerge the legs completely. Slice the top third of each head of garlic off to expose the cut garlic surface to the fat; discard the tips or save them for some other purpose. Stick a clove into each head of cut garlic, and add to the fat. On the stove, place the cocotte over a low heat just until the fat is warm; test by sticking your finger into the fat - you should be able to do this with only the slightest of discomfort. Once warm, cover the cocotte, then place in the oven to cook. I had used Moulard duck legs (each of which weighed around 300 grams), which took 10 hours to cook. (If you are using a different species of duck and/or smaller duck legs, start checking at the 6 hour mark. If using Pekin/Long Island duck legs, which tend to be smaller, they will cook faster than Moulard. If using Muscovy duck legs, it can take as long as 12 hours as their flesh is often tougher.)

Given the vagaries of the average domestic kitchen oven, the oven thermometer helps ensure that all is on track - 180°F is ideal, although no harm comes to the confit if the lowest setting on your oven is 200°F(93°C), or if you need to adjust the heat level from time to time given erratic oven behaviour and a range of temperatures is more realistic. Do not let the temperature exceed 200°F or there'll be the dreaded stringiness to contend with. The duck legs are done when the meat is very tender. However, if cooked for too long, they may fall apart later when they are being crisped; so start checking after the 9 hour mark by gingerly lifting a leg from the fat and prodding it gently (without piercing the delicate skin), returning the leg to the pot and the pot to the oven if necessary and checking every 30 minutes thereafter until the meat is perfectly cooked. There are also visual cues to watch out for. The fat will be clear, not cloudy, which indicates that the duck is no longer releasing juices, that the juices which have been released are cooked and have settled on the bottom of the pot. The duck, which will have also settled to the bottom of the pot, will be showing a lot of bone as the meat rides up the bone like a mini skirt on a comely thigh.

Once you've ascertained that the duck is perfectly cooked, remove the pot from the oven, uncover it, and allow the duck to cool in the fat to room temperature. Do not hurry this process. It is important to cool the meat in the fat as slowly as it was heated. The gentle initial heating kickstarts the process of melting fat out from under the skin, the gentle cooking ensures a tender texture without stringiness, and the gentle cooling prevents the meat from falling apart or losing its shape.

Once cooled, store the confit by transferring the legs to a storage container and pouring the rewarmed fat over the legs to submerge them, leaving behind the meat juices. (Any fat that does not fit into the container can be stored in the freezer for at least 6 months, for use in other projects.) Cover and store in the fridge for no longer than 2 weeks. To preserve the legs for months rather than weeks, as was confit's original intended purpose, you must take scrupulous hygiene precautions; the above simple method of storage is insufficient.

The confit is now ready for use in any number of recipes, although a ripening period of as short as a week results in further texture and flavour improvement. Bear in mind, however, that the robust flavour of true confit needs at least 3 weeks to begin developing its characteristics. Confit seldom lasts longer than 2 weeks in our home, and not only because we are greedy. Given the scarce storage space in our tiny fridge, and limited by the size of my largest cocotte, I don't use more than 8 legs in one batch of confit (incidentally, doubling the above recipe is easy; the method, temperatures and timings stay exactly the same, and the quantities are simply doubled, with the exception of the duck fat and lard - proportionally less fat will be necessary to cook increased quantities of duck). For long term preservation, please refer to the instructions laid out in Paula Wolfert's book or Michael Ruhlman's book for sterilizing your equipment, removing all traces of meat juices from the fat, and sealing the confit crock.

To use confit:

Remove the pot or container from the fridge and allow it to sit at room temperature for a few hours in order to soften the fat sufficiently to remove the desired quantity of legs - which are very fragile - without tearing, breaking or otherwise bruising the skin and flesh. To serve them crisped, see below.

1Pekin/Long Island and Muscovy duck legs can also be used for confit. However, you will have to adjust the cooking time as they differ in size, fat content, and flesh quality. Moulard, with its unique flavour and dense, fleshy, fatty legs, is the duck of choice for confit in Southwest France.

2While duck breasts can be used, they do not take as well as legs to the confit process. The most efficient way of shopping is to purchase duck leg joints. However, if jointing whole ducks yourself, set aside the breasts for another purpose/dish.

3The green salt technique comes from Bouchon. In most recipes, duck legs are rubbed with a dry marinade of salt, chopped herbs and whole aromatics. With green salt, everything is first pulverized together to a sandy green paste, which ensures the most even distribution of seasonings possible.

4Note that volume for volume, all salts weigh differently. The traditional formula to adhere to is 22 grams of salt for each 450 grams of meat. I use Maldon because I like the sweetness it imparts. With Maldon, for the total weight of meat I’ve specified (1200 grams), it works out to 58 grams, which is 4 Tbsp. If using a different salt and/or different quantity of meat, please weigh everything and do the necessary math for the right amount of salt.

5It is tempting to chuck the garlic cloves into the processor along with the green salt ingredients. Please resist the temptation. The flavour and aroma of smashed garlic has a pungency that is entirely different from that of chopped garlic. As you are after the suggestion of garlic, smashed garlic has no place here as it would become too dominant.

6The quantity of fat needed to entirely submerge the duck legs will vary according to the shape and size of your cooking vessel and the shape and size of your duck legs. Ideally, the vessel should fit the duck legs snugly in one layer. The quantity of fat I’ve specified will generously submerge 4 large duck legs, and you may possibly not need all of it. However, seeing as excess duck fat and lard freeze well, and you do not want to be in the hairy situation of not having enough fat to cover the duck mid-way through the recipe, there really is no harm done having extra.

7You can use 6 cups of rendered duck fat (or goose fat, for that matter), or combine 3 cups of duck fat with 3 cups of lard. I prefer using a combination because I like the flavour of pork fat, finding that it enhances the final products, making for a tastier duck confit as well as a tastier fat for future use. You can purchase duck fat and goose fat in tins, but it’s not only easy to render your own, it may be a necessity if the tins are not readily available. As for the lard, do not use packaged commercial lard which is too assertive (plus you can’t use the fat for future cooking). Either purchase good quality butcher’s lard from a reliable source if you have access to it, or render your own. To render each type of fat, the procedure is exactly the same. For 1 cup of rendered fat, you need 1 pound of fatty duck skin and trimmings of duck fat, or pork fat. Dice the fat and combine it with ¼ cup water in a heavy-bottomed saucepan. Set it over a very low heat, uncovered, for several hours to render. The fat will liquefy and the water will evaporate, leaving behind pure fat. Do not let the fat come to a boil or turn brown. Strain the fat through a cheesecloth lined sieve before using or storing.

Confit can be used in countless ways. Chunks of it are always buried in the best cassoulets and garbures. Crisped and shredded, it's excellent in a salad of bitter leaves, stirred through risotto, added to a pasta sauce, or used as a filling for ravioli, just to name a handful of good things. But perhaps the very best of all, is also the very simplest of all. A whole leg of duck confit, crisped and served atop a bed of potatoes cooked in the unbelievably delicious fat from the confit crock, is as soul satisfying to eat as it is to prepare, allowing you to best appreciate the true savour of confit. There is a seductive logic and integrity to making the best use of the preserved duck as well as the fat in which the duck was first poached then preserved, the lushness of the latter being shown off to greatest effect by the humble potato. When I served the confit for dinner on Sunday, it was in this salt of the earth manner - crisped confit de canard with pommes de terre à la Sarladaise, the Sarlat dish of thinly sliced potatoes cooked in confit fat that boasts the soft centered-crisp edged textural contrast beloved of this genre of French potato recipes.

Many methods exist for crisping confit. Some involve steaming, then finishing in a pan. Some involve baking alone in the oven till crisp. The method I like most so far is from Bouchon.

To crisp confit:

Preheat the oven to 375°F. Heat a nonstick skillet that will hold the duck legs in a single layer over medium high heat. Reduce the heat to medium and carefully add the duck legs skin side down. Sear for 5 to 6 minutes, or until the skin is a rich golden brown. Remove the skillet from the heat, tilt it, and use a spoon to transfer enough fat to coat the bottom of a baking dish large enough to hold the legs in a single layer. Place the duck legs skin side up in the dish. Transfer to the oven and cook for 8 minutes.

Chubby Hubby and S, otherwise known as The Fabulous Mrs Chubby Hubby, had generously brought over a bottle of Reserve de la Comtesse 2000, Pauillac, the second wine of Chateau Pichon Longueville-Lalande, to go with dinner - as you would expect from two gastronomes with the mostest, the match was outstanding.

On a completely separate, incidental but related note, absolutely nothing goes to waste when you make confit, as becomes a food created out of economy. It is the proverbial gift that keeps on giving, rewarding the cook richly for months after the confit itself has been eaten. The confit fat, if you haven't already gathered, is liquid gold in the kitchen, an amazing medium in which to sauté root vegetables, or use as a flavouring to enrich a plethora of braises, sauces and soups, or to put up yet more batches of confit (a process you can go on repeating for as long as you've properly maintained the fat; eventually, it will get too salty). But that's not all.

Even the head of garlic cooked with the confit has an afterlife, albeit a short-lived one. Push the soft, caramel-hued garlic cloves through a sieve to obtain a tiny quantity of smooth creamy pulp, adding a little confit fat to adjust the consistency. Smeared on crisp little croutons and sprinkled with fleur de sel, you now have yourself a ridiculously good morsel for floating atop soup.
As the duck cooks slowly in fat, it releases flavour-packed juices and collagen which sink to the bottom of the cooking vessel. Protected by a mantle of fat, these become an intense concentrate, a deeply flavoured, gelatin-rich essence. Extract this precious fluid after you've cooled the confit in its cooking fat, by lifting out the pieces of duck and putting them in a container, then ladling only the fat off to cover the duck in the container, thus leaving behind the meat juices. Heat and serve as is with crisped confit, use to fortify sauces and soups, add to a vinaigrette for dressing a salad topped with shreds of confit, and loveliest of all, to make an extremely simplified but nonetheless scrumptious rillettes, which have the additional bonus of using up the debris on the bottom of the cooking vessel after the fat and juices have been removed. Take a few scraps of confit meat, coarsely shred with two forks, stir in the meat juice and debris, moisten with confit fat as necessary, season liberally with freshly ground black pepper, judiciously with quatre épices, and sparingly (if at all) with salt and you're good to go. Packed into little ramekins and sealed with more confit fat, this really is food for nothing yet forms the basis of the most glorious of simple lunches - all you need is some crusty baguette, cornichons, and a glass of something white and well-chilled.

Tagged with: IMBB23 + French

Of Late Night Curry Suppers & Saag Paneer

Like many college students, my days were spent feverishly meeting those looming essay deadlines, and my nights, on the tiles. Being based in the UK, those lager-fuelled evenings often ended in some dodgy Balti house, inevitably festooned with pink flocked wallpaper and invariably featuring a menu boasting such delights as vindaloo ("Hot!", helpfully said the menu, with a 3-chilli pictorial rating to further drive home the point) or korma ("V.Mild", no chilli rating here) in a grand choice of chicken or lamb. While I like to imagine my palate has somewhat developed since, I nonetheless look back on those days fondly. If nothing else, they were what left me with a taste for the cooking of the great subcontinent, far far more diverse than that initial impression of indifferent homogeneity would lead one to believe.

When W flies in late at night from Switzerland (which he travels to regularly for work), he'll very often request that the dinner, or rather supper, waiting at home be Asian - preferably something fragrant with spice and fiery with chilli - presumably as an antidote to the surfeit of fondue and raclette which he has no doubt overindulged in. To this end, I'll typically oblige with a one-dish noodle meal like spicy miso ramen, mee siam, or laksa. Or, if I'm feeling particularly energetic, an Indian meal.

Just take the boggling array of ingredients listed in a kofta curry dish say - in all my acquaintance with using recipes, Indian ones likely rank as the most complex (with the exception of Thai and Peranakan) in sheer terms of raw material required. Although that having been said, any kitchen with a decently stocked spice shelf shouldn't find there are too many gaps to fill. Then there's the boggling array of dishes that's needed to constitute a proper meal. To my non-Indian tastes, rice accompanied by a meat curry and a vegetable dish is plenty variety for two. However, having known a Mummyji or two, and having had the privilege of supping at their bountiful tables, I've never been anything but stunned by the staggering variety that beggars description, prepared for the "simple, home-cooked meal" to which I had been invited. I have also been told by members of the family (namely, the gents) that such a delirious spread - to my eyes, a banquet - is par on course everyday. A typical table would be heaving with two to three appetisers, two to three main dishes (featuring poultry, seafood and/or meat), as many as four vegetable preparations, a lentil-based dal dish, rice, one to two types of bread, and not one but several desserts to top it all off. And this is not including the myriad chutneys, pickles, relishes and yoghurt-based raita or pachadi (depending on where the host family is from) that accompany the meal. I can only aspire to the day I muster the courage, skill and organizational prowess it must take to put such a feast on the table when entertaining, let alone on a daily basis . But very frankly, far more modest curry meals (for lack of a better generic description) already do much to hit the spot when it's just the two of us.

W and I love saag paneer, the rich north Indian spinach dish with fried paneer. However, I've not met two versions that ever tasted alike. So without a definitive template to follow, the way I make it is constantly evolving, oftentimes influenced by a recent version I tasted that I enjoyed or a book I'm currently reading, and further doctored by my personal likes and dislikes (I like it mild and creamy, virtually an Indian creamed spinach; I dislike excessive heat, so just enough chilli is added for a discernible but unobtrusive kick). Below, my version of the dish, inspired by a recipe in Indian Essence by Atul Kochhar, chef/proprietor of the highly acclaimed Benares in Mayfair, London (as head chef at Tamarind previously, he became one of only two Indian chefs in the world ever to be awarded a Michelin star). In his introduction to the dish, the author bemusedly warns that "This recipe is a source of pride for Indian housewives, so if you happen to be that lucky guest, don't compare it to other saag paneers you have tasted - you would be asking for trouble. Cooking is a serious matter of unpredictable jealousy among Indian housewives." A Mummyji, I am not - so please feel free to up/downplay the spice ante or make it richer/less rich as suits your taste. As for the garam masala mixture, it takes no time at all to grind up a batch (small, so it stays fresh) rather than use the ready-made stuff of dubious freshness; I like Madhur Jaffrey's recipe (1 Tbsp cardamom seeds, 5cm cinnamom stick, 1 tsp each of cumin seeds, cloves and black peppercorns, and 1/4 of a nutmeg finely ground together in an electric coffee/spice grinder) from Indian Cookery.

SAAG PANEER

*500gm spinach leaves *150gm paneer cheese *Peanut oil, for deep-frying *2 tbsp peanut oil *50gm unsalted butter *1 tsp cumin seeds *1 tsp mustard seeds *2 garlic cloves, minced *1/2 tsp red chilli powder *1 tsp ground coriander *1/2 tsp ground ginger *1/4 tsp freshly grated nutmeg *2 tsp grated fresh young ginger *1/2 tsp salt, or to taste *1/4 tsp sugar, or to taste *100ml single cream, or to taste *1 tsp garam masala

Wash the spinach, drain, pluck off any tough stems and discard. Wilt the spinach in a large saute pan (there's no need for extra water as enough clings to the leaves to prevent burning at first, then the leaves exude their own moisture). Drain very thoroughly. When cool enough to handle, chop finely. Set aside. Dice paneer into 2cm cubes. Heat peanut oil for deep-frying in a large, deep pan to 180˚C and deep fry the paneer cubes for about 1 minute to seal and lightly colour the surface. Drain on kitchen paper. Set aside.

Heat the 2tbsp of peanut oil and butter in a heavy-bottomed medium saucepan. Toss in the cumin and mustard seeds. Stir for a moment; once they start to hiss, crackle and pop, add the garlic. Fry for a minute or so until golden brown. Add the red chilli powder, ground coriander, ground ginger and freshly grated nutmeg, stirring for a further minute.

Add the prepared spinach and stir constantly over a low heat for 5 minutes. Add the paneer cubes, grated fresh ginger, salt and sugar to taste (add only enough sugar for a rounded flavour; the mixture should not taste sweet). Cook slowly for another 5 minutes. Finally, stir in the cream (adding less or more as suits your taste). Sprinkle with garam masala and serve.

Serves 2 as part of a meal.

The other things we had along with the saag paneer:


Shani Murgh Korma, or Royal Chicken Korma

The recipe I like best for this comes from Madhur Jaffrey's Ultimate Curry Bible (published in the US as From Curries to Kebabs), rich with yoghurt and cream, and subtly spiced with saffron, cinnamon and cardamom.

Tamarind Pulao with Curry Leaves

This delicious and incredibly easy recipe comes from Jeffrey Alford and Naomi Duguid's Mangoes & Curry Leaves. A Tamil Nadu preparation, the tumeric-tinted basmati rice is flavoured by tamarind, curry leaves and chillies, with urad dal and cashews lending a crisp, sweet, nutty bite.

Pistachio Ice Cream

Something sweet, creamy and cold is always a nice note on which to end a spicy meal. I had planned to make kulfi for dessert. But after shelling, blanching and skinning the pistachios - the sort of work that drives one to drink, really - I couldn't quite face the prospect of reducing milk, a time-consuming process that can take up to four hours of constant stirring by the stove. This is essential to the flavour and texture of kulfi, which quickie versions (based on evaporated milk) don't quite replicate. So setting aside the kulfi idea altogether, pistachio ice cream it was, simply made by infusing cream with crushed pistachios overnight before using it for the ice cream's custard base.

Creamy Polenta, or Cinderella goes to the ball

When entertaining, I am a big believer in the practice of mise en place - preparing in advance all that withstands or even improves with being done ahead of time, thus freeing me up to focus properly on the tasks that must be performed to finish the dish in question come the actual dinner. In my case, because I know I'm incredibly slow, this planning process is absolutely critical if my guests are not to languish for too long between courses.

Which is why I think of certain foods as food for two, and others as food for company. Soft, steamy, piping hot polenta only really acquires an exquisitely tender texture when slowly cooked to a cohesive mass over upwards of an hour, so I'd always thought of it as food for two until as of late, preferring to serve wedges of fried, griddled or roasted polenta (which, save the frying, griddling or roasting, can be prepared as early as the day before) when feeding a crowd. For I've since learnt from Judy Rodgers' The Zuni Cafe Cookbook that soft polenta actually holds very well in a covered double boiler set over gently simmering water for a few hours, which is incredibly convenient if you're planning to serve the polenta as part of a multi-course meal. In fact, the holding period (anywhere from 30 minutes to 3 hours) actually improves the stuff, giving the polenta meal time to swell and fluff even more.

As much as I adore the soothing austere simplicity of polenta made with nothing but cornmeal, salt and water or stock, perhaps enriched with a little butter and parmesan at the end, I must say I am very partial to Venetian-style milk polenta (for anyone who's interested, Marcella Hazan gives a fabulous recipe for polenta alla Veneziana con il latte in Marcella Cucina). Typically rustic and hearty, here polenta takes on a delicacy and refinement of taste and texture by being cooked in a mixture of milk and water. It's enough to make an all-round polentoni - "polenta eater", as dwellers of the Italian south are fond of calling those in the north - out of the most stubborn; prior to tasting milk polenta, W would only ever eat the aforementioned fried, griddled or roasted firm variants.

Polenta is often treated as a Cinderella food of sorts, never allowed to the ball in the best frock, typically served as nothing but a foil to some stew or braise, a medium for sopping up those savoury juices. Milk polenta, however, as much as it dutifully fulfils its role as carrier of meat jus, doesn't merely play second fiddle to any meat you may care to serve with it - however outstanding the meat, I daresay for once, the supporting starch is so moreish as to threaten to outshine (just, but not quite) the ostensible main dish. If I sound like I'm raving, than it's because I've yet to encounter an equal partnership where two halves made up such a greater whole.

Flipping through my copy of Scott Conant's New Italian Cooking recently, I chanced upon his über-luxe take on milk polenta. In his Creamy Polenta recipe, cornmeal is cooked in a mixture of cream and milk. The rich dairy liquid medium, high ratio of liquid to meal (6 to 1, or 2 cups of cream plus 2 cups of milk to 2/3 cup of cornmeal), and slow patient cooking (1 hour and 45 minutes over the merest possible heat) ensure a luscious polenta with the velvety texture of custard that's truly unlike any other. And despite the extravagant use of cream and milk, it doesn't feel in the least bit heavy or stodgy. In fact, quite the opposite - if you can imagine ethereal being applied as a description of something with as sustaining an image as polenta, this is the candidate. So good it is made this way, I actually found it unnecessary to add the butter and parmesan at the end as specified in the recipe, which is unusual for me, because I am not one to hold back on the butter and parmesan.

We had some friends over for dinner last Friday. The Creamy Polenta (which I made in the early evening and held in a double boiler till it was time for the main course) was part of the following menu:

Slipper Lobster & Morel Risotto

This was inspired by a lobster and black truffle risotto from Christian Delouvrier's Mastering Simplicity. The arborio rice is cooked in lobster nage and finished with morel duxelles (which I made with dried morels, ceps and truffle oil) and chunks of butter-poached slipper lobster.

Cream of Chestnut with Tortellini of Roast Duck & Foie Gras

The thyme and juniper berry-scented chestnut soup recipe comes from Tamasin's Kitchen Bible by Tamasin Day-Lewis. As I had used duck stock for the soup base, I thought some tortellini stuffed with shredded roast duck and a mousse of foie gras (I happened to have some pate de foie gras in my fridge which I put to this use) would make for a good garnish.

Calamansi Lime Sorbet

A tartly refreshing breather between fairly rich courses. I used the smaller yellow-fleshed limes known as calamansi rather than the golf ball-sized key limes as I like the aromatic intensity of the former. The recipe, which incorporates egg white to stabilise the sorbet mixture, is adapted from Caroline Liddell and Robin Weir's wonderful book, Frozen Desserts.

Creamy Polenta with Daube de Queue de Boeuf

The oxtail daube is from Paula Wolfert's magnificent book, The Cooking of Southwest France. Although I already own a previous edition of this definitive culinary classic published by Grub Street in 1997 (which was first published in 1983), this 2005 edition is so extensively and completely updated it's, to me, practically an altogether new book - I had to have it, that much was clear. Meaty chunks of oxtail are braised in red wine and the other usual aromatic suspects in a closed pot with the heat controlled such that the liquid barely shudders, let alone come to a boil. A good 5 hours later, the meat emerges meltingly fall-apart, eat-with-a-spoon tender. Gelatine-rich salt pork and a pork trotter (which are fished out mid-way through cooking, processed to a paste, and smeared atop the oxtail pieces before proceeding with the rest of the cooking) are added to the cocotte - preferably enamelled cast iron - to surrender their sticky, lip-smacking quality to the sauce.

Marquise au Chocolat, Crème Anglaise et Pistaches

From Thomas Keller's Bouchon, where M.Vrinat's Taillevent version is cited as the ultimate model Marquise. The mousse, which is so rich and thick it can be unmoulded and sliced, is served with a vanilla scented custard sauce and toasted pistachios.